Divine office latin chant recorded pro#

Rudolph Masciantonio, president of the Philadelphia Latin Liturgy Association: This translation was done for our monastery by Dr.

Divine office latin chant recorded pro#

Its earliest appearance was in the 12th century, although some also attribute this text to Herimann the Lame.Īve regina caelorum, ave domina angelorum: salve radix, salve porta, ex qua mundo lux est orta: Gaude Virgo, gloriosa, super omnes speciosa, vale o valde decora, et pro nobis Christum exora. This anthem is sung from after Purification (February 2 or Candlemas) until Easter Vigil. Virgin always, hearing the greeting from Gabriel’s lips, take pity on sinners. Holy mother of our Redeemer, thou gate leading to heaven and star of the sea help the falling people who seek to rise, thou who, all nature wondering, didst give birth to thy holy Creator. This translation is by the Reverend Adrian Fortescue, 1913: Herimann’s Latinized name was Hermanus Contractus and he is sometimes also credited with the chant melody.Īlma Redemptoris Mater, quae pervia caeli porta manes et stella maris, succurre cadenti, surgere qui curat, populo: tu quae genuisti, natura mirante, tuum sanctum genitorem, Virgo prius, ac posterius, Gabrielis ab ore sumens illud ave, peccatorum miserere. The text is credited to Herimann the Lame, a monk of Reichenau (1013-1054). Sung from the first Sunday of Advent until the Feast of the Purification on February 2 (the original ending date of the Christmas season), this prayer tells of Gabriel’s announcement, and of Mary’s divine motherhood. While we sing the traditional chant melodies at Carmel, these texts have been set to music for choirs by many composers over the ages, most notably Palestrina. This is a tradition we at Carmel very much treasure. This custom is retained in many churches and cathedrals on Christmas ( Alma Redemptoris) and Easter ( Regina Caeli), as was seen in the Masses at the Vatican this past year.Įach anthem has a beautiful text, each chant is quite melodic. At our monastery, the nuns, choir, and congregation all join in the Latin chant.

In a Marian house, the seasonal anthem is sung on Sundays and Marian feasts throughout the year at the conclusion of Mass. When sung at the conclusion of Mass, only the anthem is sung. Traditionally, at Compline, the Latin anthem was followed by seasonal declamations and a prayer. Today there is the choice of those four hymns or a few others, including the Hail Mary. Today the Divine Office is known as the Liturgy of the Hours, and Compline has become “Night Prayer”. At the close of Compline, one of the four seasonal Marian prayers was sung: Alma Redemptoris Mater, Ave Regina Caelorum, Regina Caeli, or Salve Regina. The four great seasonal Marian antiphons come from the Divine Office, office of Compline, the last of the sung hours of the day. Thus, it is traditional in Carmel - or any Marian house or church - to honor her whenever possible. We don’t one is the seasonal Marian anthem, the other is a recessional hymn.Ĭarmel w JubilateDeo.html as the first Order in the Catholic Church dedicated to Mary, and one of Carmel’s sayings is “Carmel is all Mary’s”. Visitors to our Carmelite monastery sometimes ask why we do two hymns at the end of Mass. Alma Redemptoris | Ave, Regina Caelorum | Regina Caeli | Salve Regina